Sadly, he didn’t make it past the operating table, and died in the hospital. ( Log Out / And this is what irks. I absolutely adore this movie, and I think it’s one of the great endings in Hollywood history! She never was really loved by Morris–her money would have been loved. She disguises herself as her twin brother Han Shi Yi, who passed away early, to ensure the Han Family's military power … One of the marvelous aspects of this movie is that thanks to Wyler’s brilliant direction and de Havilland’s magnificent performance, there are multiple ways to read into the ending and its significance. The embroidery, for instance. Morris left Catherine for California to be an idler, he did not make a fortune there, he came back penniless. I guess I can see both sides of the coin, but I tend to agree with Sarah’s interpretation above. If she never gets married, she’s too independent and rich to worry about it and will do many things, like travel the world or perform charities . The Heiress (1949) - Theatrical Trailer - © Paramount Pictures. I’m more towards the “liberated” side of the interpretation divide. Morris was an opportunist, her father saw it and rightfully wanted to protect his daughter while at the same time keeping her under his chauvinistic thumb, as I’m sure he kept his beautiful trophy wife. Am I just ready to move on, now liberated from wondering if he’ll ever come back? When her father dies, Catherine inherits his fortune and lives alone in the large house, rejecting any form of kindness or compliments. She has triumphed over the men at last and perhaps feels she has nothing else to live for. People can consider she’ll be scarred forever by the disappointments, the treason and the insults from the two men who should’ve loved her. In some ways she becomes so hard, like her father. She must have been well treated by her father (who is trapped by the memories of his lovely and late wife) and Morris. 2:51. She could have survived with her sweet character in tact even with her father constantly undermining her with insults and criticisms and thus creating a scared, self-conscious woman with low esteem who actually begged her father to try to come up with something nice to say about her when he was going to meet with Morris (watch both of her Aunts’ expressions, it was heartbreaking for them), but Morris’ betrayal basically validating what her father said about her when he finally told her what he truly thought of her AND her Aunt giving away that she too saw Catherine that way even if she still cared for her just as she was unlike her father, was too much. | The Wonderful World of Cinema. She chose to accept who she is to keep from being hurt or proven wrong, so to speak. Was she triumphant? About the end of the film, it’s better than the novel’s, written by Henry James. Only a person who has been disillusioned by humanity is capable of doing that to someone. I love the part where she wait to hear the sound of the door bolted by Mariah before snipping the last bit of thread from her embroidery. Ending As The Yakuza Heiresses' Imoutto 4.8K Reads 130 Votes 9 Part Story. As for Morris – you could practically see him appraising the house as he strutted around it, both before and after his desertion. His “best” was an effort to turn her into the image of his dead wife. Montgomery Clift plays a charming suitor by the name of Morris Townsend, and Ralph Richardson is Catherine’s cold and undemonstrative father, suspicious of Morris’ motives. It’s for this reason, though, that I’ve no doubt that Austin does indeed love Catherine, if love can coexist with contempt (I believe it can; the human heart is that big). She balked against the societal conventions by being willing to elope, so had a brave current running through her only to be dashed by the cruelty once again of a man. Just throwing that out there. . Giddily, she races up the steps to retrieve the gift. Format: Kindle e-book Other books read by author: Pretty Little Liars series The only thing more flawless than a Saybrook’s solitaire is the family behind the diamond empire. They agree to marry, and Morris says he will come for her at 9. Something I noticed today was that when Austin Sloper is ill and Catherine is encouraging him to change his will, at one point he bends forward to sit down and his face (and this film is so much about the study of faces, so clearly photographed) partially overlaps with hers (almost like a Picasso painting). He did not see anything about her worth loving by another man except her inheritance (at that point in her life). Chela and Chiquita are of the elite, but their home is falling into ruin. I love this movie. A wealthy landlord arranges for his daughter to marry a farmer’s son. I shall see that he doesn’t come a third time. This Disney Heiress Is Critical Of Disney CEO Pay. lol If I remove the plays original meaning and interpret the end scene in the film, I would say that Kathryn looked liberated from her painful past and felt empowered, but I feel, from her sweet smile, as it was sweet, that I was left feeling she was going to be ok. I think by shutting Morris out and finishing the embroidery, she is at last a free woman who knows her own worth. Now it’s merely a cool dress for a warm evening – or maybe it’s a bit “Miss Havisham”? She’s the hero in this movie because, in the end, she has the character and the strength to honor herself enough to not live a life of torment, even with this handsome charming man whom she loved with all her heart and soul. But strangely, her tone of voice is almost that of a villain, and it becomes clear that she is putting on an air for Morris. Those lines gave me chills. At the film's start, we enter a world where time has essentially stopped, for decades. But the further up she’s going, the more she’s walking away from Morris, and her insecurities. Olivia de Havilland’s Oscar is richly deserved. I thought giving Morris the buttons was a way to bring a finality to thier relationship. The entire dialogue throughout is the best. The truth is somewhere between the lines. Excellent film and excellent cast, I agree! Angy (Ana Ivanova), the daughter of one of Pituca's friends, hires Chela to drive her mother to doctor's appointments. Is she rising above the past? So she builds for herself a wonderful life—it’s not complete, but it’s certainly a good one—where she is surrounded by people that regard her highly. She did have her revenge on her father and morris. He wants love and forgiveness and good people are supposed to forgive the repentant, especially a forner lover or friend. My favorite movie. You make very good points, I especially love what you had to say about the buttons. Tragedy strikes the prominent family yet again on a beautiful morning in May when thirty-four-year-old Poppy, the most remarkable Saybrook of them all, flings herself from the window of her office. I loved the ending and thought it a triumph for Catherine. The shifting stratification of class and rank in "The Heiresses" is one of its many fascinations, as well as central to how it operates. I’m sure she played in her mind over and over how she would get her revenge had he ever tried to return. The final scene –Catherine is wearing white (bridal). I guess the question is whether or not she will actually have happiness with Morris after what he did to her. I've read the entire PLL series and I'm FULLY aware of Shepard's writing style and plot devices and anything else you could think of. That's exactly what this book (and literally any and all other books by Sara Shepard are). Thank you for your very insightful and articulate comment! That makes Catherine Sloper’s story more tragic. The key to understanding the maturity of Catherine, was days later–when she visited Morris’ aunt–the final blow to her ego–and hopes. Now he wants my love, too. I agree with most of what I have read but I do believe that Catherine’s father really did love her! It’s chilling that such a loving, trusting soul could lose all vestiges of human compassion. I think catherine made the wrong choice in how she handled her father’s death and how she handled morris’s return. Two years later, Morris suddenly returns, asking for forgiveness for his desertion. I don’t think it shows she was embittered at all!! He had a not so warm way of showing it. But was willing to live that way in order to have him. Her choice of clothing indicates her attachment to romance; but denying herself the pleasure of it. Dark, cold and unflinching. The buttons sybolize greed on Morris’s part and generousity on Catherine’s. Is she going to become a recluse of the house and of Washington Square? Everyone is shocked that a woman who had it all would end her own life. “I have been taught by masters”. @JMM – Thank you, someone said it! I find it fascinating to watch the difference in the two times she ascends the stairs–the first time as a deserted, forlorn woman, and the second time triumphant, doing to Morris exactly what he has done to her. [“I’ve read everyone else’s thoughts and I do believe Katherine DID change after her father’s death….but wouldn’t it be a nice thought if she had taken Morris when he came back and they lived happily every after? I love this movie and just discovered this discussion. ), the architect of the best-selling Pretty Little Liars series, has created a PLL for adults. The plot is minimal. Morris is and opportunist, narcissistic, greedy I believe that Catherine did the right thing. Catherine Sloper ascends the stairs in the final scene, leaving fortune-hunter Morris Townsend banging on the door. Chela ( Ana Brun) and Chiquita (Margarita Irun) have been together for 30 years, a lesbian couple of the elite class, living in a large home in Paraguay’s capital Asunción. . I’ve read everyone else’s thoughts and I do believe Katherine DID change after her father’s death….but wouldn’t it be a nice thought if she had taken Morris when he came back and they lived happily every after? Browse our Scrabble Word Finder, Words With Friends cheat dictionary, and WordHub word solver to find words that end with heiresses. If one were to read her act as empowerment . At first devastated and hurt. The play is being revived on Broadway right now, I’d be curious to see what they do with it. Angy, a much younger woman, operates in a world of sexual possibility, and in that world, none of these class distinctions matter. She has learned to be cruel and clear-eyed, and indeed gained a mastery of it. The book is absolutely amazing as well though. ( Log Out / Whatever one’s interpretation, it just goes to show what a great movie ‘The Heiress’ is that it continues to rouse such conversation after all this time! She has the power and a moment of revenge, but nothing more. Personally, what was more significant to me from the last scene was the part when Morris sees from outside the light come and then leave slowly. – but Catherine is the bad one because she finally has enough and tells him off? But once she begins to walk up the stairs for our final view of her, her face brightens as she approaches the camera and we can see that she has finally understood the duplicity of men’s ways and will be her own woman from this moment on. If Morris does leave, she will have had some happiness and will have the child. BBN Business News. I’ve always thought it is a little of both.. But the family curse—or a vindictive villain—may end their lives prematurely. For me, this is what single-handedly secured de Havilland’s Best Actress Oscar. The Heiresses / Les Héritières (2018) - Trailer (French Subs) UniFrance. We currently have 52 articles, 68 images, and 0 active users. American heiresses – confident, stylish and outgoing – invaded the Shires from the late-19th century. I like your analysis of the embroidery. What a movie! I can only extrapolate from my own experience. Her portrayal was without imperfection. He did try to keep her from harm, but because he was so cold & distant his true intentions for her well being were totally missed & misjudged by Catherine. That was the one thing she ever enjoyed. She allows one last gesture of romance, before closing herself off from love–ever again, by permitting Morris to enter. I don’t understand this attitude that Catherine should have accepted Morris in the end. I don’t even see her as necessarily cruel to Morris, she’s settling a score but she not treating him as badly as she could. The question is not whether Catherine should or should not have accepted Morris at the end, but rather her motives behind rejecting him. “The actions of the others in her life have hardened her, but the right circumstances can make her soften to what she used to be.” – Backlots. I am thrilled to know there are others who see this movie as I do. The little glimmer of optimism disappears as quickly as it came, and she immediately becomes angry with her aunt for asking Morris over. Catherine basically saw the buttons more valuable than she. Catherine lived her life being put down, ignored, and made to feel like she was nothing. As the movie progressed, we see color changes in costumes worn by Catherine–darkest during the window scene, awaiting her fiancé, Morris. There’s no right or wrong answer, it leaves the situation open to interpretation. Both want and need closer. Her reluctance to leave it, shown when she once again refuses her aunt’s invitation to visit them, and her reserve a sort of imposed sentence she placed on herself until she has her chance to even the score with Morris. I think what most surprised me about the ending was that she didn’t *shoot* him….I was expecting her to have enough “passion” left to take a true payment for the grief he’d caused. This post has been awarded Best Classic Movie Discussion of 2011 by the Classic Movie Blog Association. Totally Spies Season 4 Episode 14 Evil Heiress Much. | The Wonderful World of Cinema, Olivia de Havilland–Lady of Classic Cinema. I couldn’t even tell you if it would have been worse for a girl or a boy. As Morris comes, Catherine instructs the maid: “Bolt it, Maria.” Maria bolts the door, then proceeds to go to bed. Never noticed that–thank you for that insight. Her life was forever sealed. How Martinessi pulls this off—in what is his first feature—is nothing less than extraordinary. But free. This was just her moment of reckoning. A small but potent gem of self-discovery, The Heiresses trades in desperation: emotional, sexual, financial, existential. An intensely human story against the backdrop of straight-laced and cold 1840’s New York, I consider The Heiress to be not only one of the great films of the decade, but a real triumph in filmmaking. Suddenly Chela is so busy with her new taxi life, and so drawn to the sensuous Angy she's like a high school girl with a crush, she misses visiting day at the prison. Hmm, interesting perspective. If we saw a little spark of the old Catherine in that tiny smile, this 31-second character examination is that smile magnified x 1000. She should have given marriage a try, even having a baby. Just a thought…….”]. I have watched it 16 times at least in the last several weeks, and it is now a favorite film ,I love Catherine Sloper,,when she tells her father how she feels about his treatment of her and doesn’t see him on his death bed,(my own father died during these days of watching The Heiress,and I did not see him before he died and I did not attend his funeral) is her way of having her say. This time I think she had just plain HAD IT by being emotionally abused and tormented. . I can see why they changed the ending in the movie–it’s far more dramatic. It is a place trapped in time, a relic, surrounded by the rise of a confusing present and future, where class hierarchies and certainties no longer carry weight. ( Log Out / But I’d like to think, as my father thinks, bad experiences gave her strength. That’s what he was after. Thank you for your insight, Tom. I think her excitement and happiness at being married was due to the idea that someone finally loved her for her, so when her father expressed his reservations, she didn’t want to believe it. I had heard of this movie many times ,saw the ending a few times but never saw the whole movie until recently. Giving them back to Morris is a powerful statement. Henry James is not easily adapted to the screen. The themes of love and betrayal, of control and acceptance, are very much alive in their lives. And if Morris leaves her, he likely would take all the money. A relationship between two wealthy women is threatened when one of them is jailed and the other begins an unexpected flirtation. Tragedy strikes the prominent family yet again on a beautiful morning in May when thirty-four-year-old Poppy, the most remarkable Saybrook of them a… The satisfaction of her getting her revenge on the two men who had broken her was magnificent. Well, he came to the wrong house. I love what you say about the costumes. Here, Catherine starts to show signs of an almost hypnotic possession. Everyone is shocked that someone so perfect would end her own life—until her cousins receive an ominous warning: One heiress down, four to go. Morris announces he “is home”–knowing he has her heart and soul. I haven’t read through all of the comments, but it seems as if I might be alone in thinking that Catherine is planning to kill herself. SPOILERS first lose to the poison gang leader, then sleep over the house of the guy with the italian sounding name lol. jerk that could manipulate naive women. The sound of Morris’ voice in the foyer brings back the longing of yesteryear –the promise of romance, and the joy of her youth. Perhaps it’s the phrase “it’s not complete, but it’s certainly a good one (life)” that sparks this train of thought, but just hear me out: The fact that Morris is the most action Catherine has ever gotten in her life and the rigid standards of society she still has to hold herself as a rich heiress (regardless of whether she has liberated herself or not), seems to indicated that maybe, perhaps in this day and age… The Heiress could be due for an erotic re-telling or at least a revamp… ? Hell, he walked out of there with some nice jewelry; which will probably keep him for a few months – it’s not like the guy is capable of living an honest life, after all. The Heiresses is a charming and sublime film from Paraguayan director Marcelo Martinessi about two people who descended from wealthy families, having been together for over 30 years. I found this for you regarding the novel: In the novel, we learn that after this tragedy, as the years pass, she becomes quite a figure, and that she goes in for charity work—hospitals and orphanages and all sorts of institutions. When Catherine realizes the offer of marriage –was hastened only because she insisted; her life is forever altered. Cinematographer Luis Armando Arteaga helps create the Chekhovian mood of "The Heiresses," filming in widescreen, turning Chela and Chiquita's decaying house into a prison of shadows, with no real way out. I think Catherine was justified in her actions, but I don’t think they define her true character. The Paraguyan film, set in that country’s capital Asunción, focuses on the tender middle-aged relationship between Chela (Ana Brun) and Chiquita (Margarita Irún), two women of privilege who’ve been together for more than 30 years. She has now become Miss Haversham — rich and lonely. Catherine Sloper ascends the stairs in the final scene, leaving fortune-hunter Morris Townsend banging on the door. This may be wishful thinking. 21:13. After reading your interpretation, I agree that she has shed her ties to her old life of that naive girl. I guess I will be the only one who sees a different ending. In the film I got the feeling that William Wyler did not want to show Olivia DeHavilland, in the final scene, as a cold heart woman so Wyler added that sweet yet confusing smile. (I seem to recall a garden, I could be wrong) Minor nit pick, not much of a point, just something that keeps me up at night. Now I actually prefer the book’s ending, although the film ending is still powerful, like a punch to the solar plexus, and also more triumphant. She cuts the thread, as the last chord of attachment. By ellyryc Ongoing - Updated Aug 26 Embed Story Share via Email Read New Reading List. Contrary to his belief, he is presented with the brilliant rubies that symbolized her pure love. He has grown greedier with the years. She knew this. It’s entirely possible that he did run off to make his fortune—after all he was very young and they did that in those days—and that he returned to Katherine believing she would be ready for him—– Yes, I know it was in a rather propitious time for him to return–but let’s say he did return, was in love with Katherine and she rejected him when she shouldn’t. Even Morris was impressed when he saw she had dignity-he should have figured out she would reject him. The Heiresses on IMDb Chiquita is adaptable to circumstances, whereas Chela—totally thrown if the coffee cup on her breakfast tray is placed with the handle facing the wrong way—is rigid, unable to adjust. Walter Pidgeon and Greer Garson in "Mrs. Fortunately, they have both lived longer than the characters in the novel, and some reconciliation has happened between them, though I’ve no doubt that the wounds and paternal regret are still quite alive beneath the surface. She stayed in the house almost waiting for Morris to slither back. At least in Washington Square. The film is about a young naive … Report Findings Share Significant Societal Impact in Inclusion of Women in Studies During Women's Health Week at 2021 Vivian Pinn Symposium, Getting Away With It: Mads Mikkelsen and Anders Thomas Jensen on Riders of Justice. Take a look at her face, at 1:22 of the first video I embedded. Aunt Penniman: “Can you be so cruel.” The characters' routines do not bring them happiness, not that we can tell, but the routines are all that they know. Very interesting insight into Catherine! Shay Mitchell will star in Freeform’s “The Heiresses,” a new show from I. Marlene King based on the book by Sara Shepard, author of “Pretty Little Liars.” Olivia de Havilland poses with her Oscar for “The Heiress.”. I think it’s Catherine letting go of her bitterness. The director was already setting up the scene to show Catherine’s lack of self confidence. The two major men in her life were the ones responsible for this…first her father. I would like to pose to you, dear readers, the question of how you read the ending of the movie. That’s when he starts to pound the door. When I first watched the movie, I, too, got chills at the “He came back here with the same lies” bit. Then, as she takes the lamp there’s a look of uncertainty for just a moment before she ascends the stairs and while she listens to Morris calling her name. And I attribute that to superb acting on the part of not only Olivia Dr Havilland but all the players. I see the last scenes as an acts of liberation When see finishes the embrodery and says ” that is last one she will do” Her father said that that was only she was good at doing. The actions of the others in her life have hardened her, but the right circumstances can make her soften to what she used to be. You make an interesting case that there is a chance that our heroine may someday put aside her bitterness under the right circumstances because we a see a glimpse of the Old Catherine in her face. I don’t think she would have. Am I right in interpreting that you see her as bitter? We seem to be convinced by Catherine’s father and Catherine’s behaviour at the end of the movie but even if Morris’ acts are a little bit suspicious (and, yeah, I know he actually lies to her and leaves the first time) we never REALLY know if he’s telling the truth. Thank you for such an insightful comment! A perfect film. Yet, when she refuses, her father plots revenge that will change them forever. 1:23. My interpretation of Catherine’s proclamation at the end, that she shall never embroider again, is that she has at long last proved her father wrong. Instead of the other parent dying due to his/her birth, he will simply have vanished due to its presence, almost as final a result, and with a fall in social status to boot. When Morris comes in and asks for forgiveness, Catherine’s expression changes only around 6:51, when we see that she’s beginning to accept his coming on to her. Great comments about this movie – it really does give the viewer a lot to think about. I can’t believe that kind and simple Catherine could lose her humanity almost to the point of evil. (Heh. Catherine is the bad one for not going to his deathbed so he can die in “peace” after all the horror he put her through? 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